Book Review: WKW - The Cinema of Wong Kar Wai

The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes.

Through six conversations we follow WKW through the jungle of his movies and get to know everything from how he creates the atmosphere of the most intense scenes, to how he struggled when some of his films were poorly received. Between chapters where past films and childhood memories are discussed the pages are covered with gorgeous photos from all his movies and a ton of behind-the-scenes photos. To me, WKW has always seemed like a more mysterious director or at least more secretive than other directors which you hear news from all the time, so the book definitely filled a void of things I wondered about ever since I first began watching his movies. A hearty recommendation to any fan of his films, and whether you're reading about juicy actor backstories from In the Mood for Love (2000) or how he were a bit regretful regarding the lead roles in Fallen Angels (1995), you're bound to be fascinated by one of the greatest minds in the history of cinema.

As Tears Go By (Hong Kong, 1988)

A low-level triad "big brother" has a hot-tempered "little brother" who can't keep out of trouble, and consequently is in constant need of being bailed out by his protector. The "big brother" is super cool, but lacks the ambition to rise in the ranks of the triad societies - and once he meets his cousin from Kowloon and falls in love with her, he even thinks about leaving "the life".

As Tears Go By was the directorial debut of Wong kar-Wai (2046) and shows his first use his trademark color palette. It also starred a very young Andy Lau (Infernal Affairs), who did a great job portraying a small time gangster.

Genre: Crime/Drama/Romance

Ashes of Time (Hong Kong, 1994)

Ou-yang Feng lives in the middle of a desert, where he acts as a middle man to various swordsmen in ancient China. One of those swordsmen is Huang Yao-shi, who has found some magic wine that causes one to forget the past. At another time, Huang met Mu-rong Yin and under the influence of drink, promised to marry Mu-rong's sister Mu-rong Yang. Huang jilts her, and Mu-rong Yin hires Ou-yang to kill Huang. But then Mu-rong Yang hires Ou-yang to protect Huang. 

Directed by one of my favorites, Wong kar-Wai, Ashes of Time is a complex story about swordsmen in a desolate world.  Very stylish, yet it's been deemed somewhat underappreciated due to its limited success. 

A fun fact is that during its long and exhausting editing process, the director took a break and shot Chungking Express and Fallen Angels to 'clear his head', which today are regarded as two of his best films.

Genre: Drama/Action

Happy Together (Hong Kong, 1997)

Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a tango bar to save up for his trip home. When a beaten and bruised Po-Wing reappears, Yiu-Fai is empathetic but is unable to enter a more intimate relationship. After all, Po-Wing is not ready to settle down. Yiu-Fai now works in a Chinese restaurant and meets the youthful Chang from Taiwan. Yiu-Fai's life takes on a new spin, while Po-Wing's life shatters continually in contrast.

Great film that centers around the themes of loneliness and jealousy. Happy Together I think did for LGBT-cinema what Brokeback Mountain (2005) got praised for doing almost ten years later, which was a rememberable, beautiful and troubled portrayal of a homosexual relationship without it feeling fake or artificial. Directed by one of my favorites, Wong Kar-wai (Fallen Angels), who uses a lot of stylish and innovative cinematography and makes every scene ten times more interesting. He's also a master of bringing out the very best in his performers, sometimes by basically do so many takes that the actors eventually transforms into their characters. Highly recommended.

Genre: Drama/Romance

Fallen Angels (Hong Kong, 1995)

A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a colleague he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape, he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world's attention in his own unconventional ways.

Fallen Angels is a dreamlike ride through a hazy, violent Hong Kong. Wong's incredible work behind the camera and the perfect cinematography makes this one of the coolest films of his career. One of the biggest surprises is how well he handles the action scenes, making it all look like a John Woo-film with spraying bullets and slow-motion. The use of black-and-white filters to reflect the characters bleak emotions, the constant handheld camera that always flies across the scenes all contribute to making this one of the most brilliant films ever.

Genre: Crime/Drama. 1h 39min.