Isao Takahata and His Tale of Princess Kaguya (Japan, 2014)

A documentary about the making of The Tale of Princess Kaguya, Isao Takahata's first feature film for 14 years.

This film is a treasure trove for fans of Studio Ghibli co-founder Isao Takahata and his masterpiece The Tale of Princess Kaguya. Very similar to another Ghibli documentary; The Kingdom of Dreams and Madness (2013) in how we get to closely follow the production and inner thoughts of the creators while struggling to get the movie done. Takahata is candid and open to talk about pretty much everything concerning the film, and it's a privilege to walk through the doors of his animation studio. He speaks up about things he regretted doing in earlier films, and describes how the most non-exciting movements are the hardest to animate. 

One scene shows Takahata driving over to Hayao Miyazaki who's in the middle of making The Wind Rises (2013) and just happen to walk in when he's trying to figure out how fast he should portray the spinning of a vinyl record. Small moments like that makes the film really feel personal and while the production eventually starts to feel like a battle for Takahata, it becomes clear that he put his soul into this film he knew would be his last.

Genre: Documentary. 1h 25min.

Only Yesterday (Japan, 1991)

A twenty-seven-year-old office worker travels to the countryside while reminiscing about her childhood in Tokyo.

Only Yesterday is probably the most mature film animation giant Studio Ghibli has ever done, far away from the usual fantasy elements that often marks their other creations. Here, we're acquainted with 27-year old Taeko who, while taking a job out in the sticks, thinks back to her early days in the city. Made by Isao Takahata (Grave of the Fireflies), Only Yesterday shows an incredible appreciation for nature and the life outside our stressful bubble of hectic social life and work. Studio Ghibli takes something as ordinary as slicing up a pineapple and makes it a joy to watch because it's so carefully and meticulously animated. Takahata took 17 members of his staff on a research trip to a rural area in Yamagata prefecture similar to the place where many of the film's present-day (1982) scenes are set. There the staff consulted with a farmer named Inoue, who taught them about harvesting safflowers, as the film's heroine, Taeko, does in the narrative. The staff videotaped their journey so that they would be able to re-create accurately in animation both the fields of safflowers and the natural beauty of the region in general.

The cinematography is a love letter to the films of Yasujiro Ozu (Tokyo Story) with the "camera" set very low and rarely moving. Where Hayao Miyazaki makes films about the often fantastical and made-up worlds, Takahata usually focuses on the character driven stories and the deeply personal journeys that leaves a bittersweet taste with the viewers. The juxtaposition of Taeko's younger and older self naturally portrays the dreams we give up, the wishes never fulfilled but also how we're different people from when we were young. 

Genre: Drama/Romance

The Red Turtle (Japan/France/Belgium, 2016)

A man is shipwrecked on a deserted island and encounters a red turtle, which changes his life.

The Red Turtle isn't entirely a Japanese production, but you'll thank me big time for giving it a pass. Directed and written by Dutch animator Michael Dudok de Wit, and with help from Japanese animation house Studio Ghibli, we are treated to some of the most gorgeous and heartfelt animation I've seen in a long time. Being completely free of dialogue, the film relies on stunning visuals and a hauntingly beautiful soundtrack to express its narrative. Watching it feels like taking part of another's life, another's amazing experiences and their sorrow and happiness.

It's one of those films that stays with you for a long time after having seen it.

Genre: Animation/Fantasy