21 August 2015

Eros + Massacre (Japan, 1969)

In the 1920s, the anarchist revolutionary Sakae Osugi is financially supported by his wife, journalist Itsuko Masaoka. He spends his time doing nothing but philosophizing about political systems and free love and visiting with his lovers Yasuko and the earlier feminist Noe Ito. In 1969, twenty-year-old student, Eiko Sokuta is sexually active with various men. Her friend, Wada, is obsessed with fire and they usually play odd games using a camera while they read about Osugi and Ito.

To begin with, Eros is three and a half hours long. No wait, don't go! I promise it's worth it...  Still here? Okay, good. I know it's a long stretch but Eros is visually spellbinding and features heavenly cinematography and composition. The narrative is sometimes confusing and feels very surreal, characters who're supposed to be living in a different time are showing up in present day. So, it's a bit hard to wrap your head around it, but it's one of the most important films from the Japanese New Wave movement which lasted from the late 1950s through the early 1970s. Not a film that everyone can get into, but a fine piece of cinema nonetheless.


Genre: Biography/Drama

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